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Anya Chases Down the End by Jeffrey Yamaguchi
Young Adult, Contemporary, Novella
A missing book is about to write the story of her life — before she even gets one.
Recent high school grad Anya doesn’t just want to write the great American novel — She wants to publish it, too. So she has faked her way into a summer internship at a major New York City publishing house thousands of miles from home in order to pursue her dream career at an accelerated pace. But her shaky, clandestine plan — which includes camping out in the office and surviving on leftovers from the pantry refrigerator — is completely upended when she loses track of a coveted manuscript by one of the biggest authors in the world. Off she has to race into the late night streets of New York City to track down the manuscript — to save her internship and preserve her cover story, not to mention her best-laid career plan — before the sun rises and her boss is back in the office.
Come along on the madcap quest in this standalone YA novella filled with secret door venues, abandoned subway stations, concealed backrooms and crash pads, mysterious missed connections on old school rotary phones, electric alleyway kisses, and revelatory poetry hiding in plain sight.
I wasn’t usually invited to the toasts. And technically, I wasn’t invited to this one, but because I was pulled into the last second effort to put it together, at the very least I’d get to mill about in the group of people raising glasses, as opposed to the usual: being huddled over in my cube, my work-a-day motions provided with the soundtrack of everyone else in the office having a good time.
“Anya, what are you still doing here?”
The big boss — Francine — was looking at me like I had failed to rush to the vet a deathly sick puppy that was lying at my feet.
“I was just about to leave, Francine.”
“You do know how important this is, right?”
As a matter of fact, I did know. Because literally one minute earlier, when she was tasking me with picking up the champagne for the toast, had told me just that, in tones usually reserved for someone who was being given the responsibility of delivering a package that contains the formula for an antidote to the virus that is in the process of wiping out the entire human race.
I had spent the first 30 seconds excited that I would get to be a part of the toast — so excited that you would have thought that I was going to be personally thanked. Not going to happen. Still, it felt like a little bit of publishing history was happening, and I was going to be there to witness it — maybe even showing up in some photographs that many years from now, would end up in the biography about my long and storied career as a writer AND publisher who transformed the literary landscape. Or, more realistically, maybe they’d just end up on the publishing house’s Instagram page, and I could share the photo so all my friends would see me making it big in the big city. Not now, of course — I didn’t want to social expose myself and ruin everything in the real right now (more on that later), but at some point in the future, when I’ll probably need to show photographic evidence to case close on everyone that I really did spend six whole weeks of the summer in New York City working at a publishing house.
The inside-my-own head revelry of both the toast and the future brag did not last long, however, because it hit me like a seven layer chocolate cake in the face — while I’m wearing my favorite summery cocktail dress, no less — that I had no way to actually purchase the champagne.
This was double-drag bad — like, not only is the party off, but the house where the party was supposed to be is engulfed in flames. For one thing, Francine expected that champagne to be ice cold and ready to pop in far less time than it was going to take me to get to and from the liquor store that is located just around the corner from the office.
But the bigger issue is that I had no way to actually buy the champagne for the very simple reason that I am not 21 years old, and I don’t have a fake ID.
Yes, it sucks. It sucks to not be able to buy alcohol. Old enough to vote, but not be able to go to bars. Or get into shows, or clubs. But that’s nothing compared to the suckage that is about to swallow up my situation into a deeper and much darker hole. And the situation is this: I am 18 years old and I just graduated from high school, but nobody here knows this. They think I am 21 and about to start my senior year of college, because that is what I told them. At the time that I applied for the internship, it was an impossible lark, and I didn’t really think about any of the consequences of getting exposed as a fabulist because I simply didn’t think it was ever going to happen.
But such an exposure will trigger a cascade of questions and open up the floodgates to a number of deceptions that I’ve had to vocalize, sign-on-the-dotted-line, and sustain in order to pull off what I am literally just one day from totally and completely getting away with.
I know it sounds like I’m a lying, no-good cheat, but to my mind, I applied for an internship in a field I am desperate to break into, got it, and have worked hard during my six weeks here at Teasdale House. While it’s true that I lied about my age, and that I was close to finishing up college, not to mention telling my parents that this was all part of a University program for pre-college students — I wasn’t trying to be deceptive. The false information propping it all together didn’t seem like a big deal at the time. But now, it’s clear to me that there’s quite a few people — and institutions — unknowingly tangled up in the web of deception that I’ve weaved to pull all of this off. If it all falls apart… Well, frankly, I can’t think about that right now.
I dash into the elevator bank, see a set of doors that are in the midst of closing, and jump my way in, like I’m narrowly escaping a mine shaft about to be rocked by a massive explosion.
It wasn’t until after I screeched “Fuck!” that I realized someone was in the elevator with me.
“Good thing you made it! This is the last transport off the literary industrial complex prison module known as the Teasdale House of Strikethroughs and Last-Minute Changes.”
Of course it would be Max, or Hot Max as I referred to him in my waking workaday fantasies. I also call him “The dude,” because he’s always the one dude in meetings full of women. He’s one of those forever interns, meaning he’s operating outside the usual seasonal cycle, and people think of him as a staffer, but ultimately, he’s still just an intern. Likely, when he graduates from college, he will get a job at the publishing house. The word is that he’s been promised exactly that. But I have no idea. What I do know is that he’s quite the dapper dresser despite always looking like he was out a little too late the night before. I would occasionally relay messages to him from Francine. This is how our interactions would go:
“Francine would like to see the front cover selections for the Spring list’s lead titles.”
“Okay, I will bring them by in a few minutes, just need to print out the latest versions.”
“Great, thanks,” I’d say, already turned around with my head down.
Pathetic, I know. I made myself feel a little bit better by acknowledging the fact that he probably wasn’t paying close enough attention to me to notice the ridiculously insecure way in which I was functioning, seeing me more as a sentient being transporting messages and documents from one person to another, nothing more, nothing less.
But there was no time for this kind of thinking. In fact, there was no time for thinking at all. The elevator in this shiny and slick new building might as well have been a hyperspace chamber, zapping you instantaneously to whatever floor you needed to get to by the push of a button.
So I just blurted out: “Hey, I just realized I forgot my ID at home. Do you think you could help me get something done for Francine?”
This not thinking thing was really working for me. Not only did I lay the groundwork of the forgotten ID, but I threw in a Francine name bomb. Even if Max was going to try and squirm his way out of helping me out — a fellow intern who never said more than two words to him, if he even remembered anything about me at all — the inclusion of the Francine factor was going to force his hand.
Max swung around and looked me square in the eyes, his smile further lighting up his light green eyes, as well as a no sleep swell to the perfect skin above his everyday, all the time, 5 o’clock shadow. He was holding the elevator door open for me.
“No problem,” he said, with not a hint of annoyance, “Whaddya need?”
Fifteen minutes later, the champagne was set up in the conference room, which had an expansive view of the NYC skyline, but most directly looked out upon a residential building that seemed to have some kind of dance studio on one of the floors about midway up the old brick structure. You couldn’t help but catch the movement flowing from that floor, especially after the sun went down. It’s always lit up, and there is always a blur of activity: whirling, gorgeous, flowing bodies moving from one side of the floor to the other.
That’s what I love about the city. It doesn’t make sense that there’s a dance studio in an otherwise residential building, but there it is, and there are people in their dancing, and your eyes can’t help but fall on one particular dancer, who is moving this way and that way, seemingly never touching the ground. As I held in my breath, I realized this dancer’s movement might possibly be the most beautiful thing that is happening on the entire planet at that particular, fleeting moment in time. I’m too far away to actually make out her face. It always strikes me as odd — sad, even — that If I saw this dancer on the street, I would have no idea that this was the person I had been watching flow through the most beautiful of moves, elegantly sweeping her way across the floor in a blur, or balancing herself in a graceful, otherworldly stillness.
What I had thought would be a very good thing — standing there with everyone, holding a plastic cup, listening intently to the toast — in reality felt painfully forced and extremely awkward, like I had been invited up on stage to share in the acceptance of an award that I didn’t deserve.
Francine wasn’t a particularly eloquent speaker, but she knew how to command a room. “This is one of many toasts to come,” she began. “There will be many more milestones and even more successes.”
And then, with just the right amount of volume uptick, she proclaimed even more forcefully, “This new book, which Chester just finished, insures all of this and more. This is just the beginning. And oh what a glorious beginning it is. Cheers to you, Chester!”
On cue, people put their hands together and clapped. Chester Fred Morrissey had the look of a man who was used to applause, and no matter how muted it might be, I got the feeling he felt it roll into his ears with pounding thunder. He had a monster hit a few years ago, and that’s a ticket that he, along with everyone else standing in this conference room, plus many others, has been riding ever since.
“I just finished going over the edits with Francine — there weren’t hardly any at all,” he said, a little too heavy on the self-assuredness.
Was that a joke? I wasn’t sure, and I don’t think anyone else was either, because no one laughed.
“I hand it over to you, and I have absolute faith that you will all do your best to share it with the whole world — They’ve been waiting for it, of course, so by all means, carry on with your hard work, full speed ahead!”
Another joke? No one was laughing at all, and though Francine was still smiling, there was the ominous hint of confusion — or was it concern — in that steely, never-let-them-see-you sweat veneer of hers.
“So to the hard work that is complete, and onto the hard work yet to be done!”
People were barely clapping, and perhaps that’s why it quickly became apparent that someone was clapping a little too loudly and far too slowly. All of the sudden, all eyes were staring down on the perpetrator of the obnoxious clapping, which meant all eyes were zeroing in on me as well, because wouldn’t you know it, I had the terrible luck of standing right next to this…. insane person.
I had no idea who this guy was — a disheveled, full-bearded, middle-aged white guy, dressing like an old man wearing the opposite of a custom fit grey suit and, of course, dirty white sneakers. I think I had seen him around before, but I couldn’t quite place him. He definitely didn’t work on this floor.
Before I knew it, Francine was on top of him, smile ablaze but moving too swiftly and with too much purpose to seem like a natural, so good to see you here approach.
Nobody was drinking their champagne. The eyes in the back of Francine’s head must have made her aware of this because she quickly turned around, raised up her glass, and announced, “Cheers indeed!”
She then took a hard swallow from her glass, drinking not in celebration, but to be done with it. With the murmuring reaching its peak, Francine put her arm around the gentleman, whispered into his ear, and ushered him away back towards her office.
I scanned the room and saw that I was not alone in wondering what the fuck was going on — everyone was unified in a look of discomfiting confusion. Everyone, that is, except for Max — he was radiating a bemused grin. I don’t think he knew what was going on, and that was fine with him — he was just enjoying the disarray. He raised up his glass in my direction, kept his eyes locked on mine, and then drank his glass down in one swallow.
Just as I’m sinking into Max’s eyes and working to decipher exactly what that was all about — hedging toward the fantasy that Max is actually interested in me — I am immediately struck with an urgent and impossible thought: What if he comes over at this very moment and starts talking to me? Yes, this is what I want, but because I’m a total idiot, I also realize I’d just like to disappear.
It turns out that the disappear option would have been the right choice, because without warning, Francine stomps into my space, grabs a hold of my shoulder, and pulls me in the direction of her office.
Once inside, she shuts the door, and then takes a seat behind her desk. It still feels like her hand is on my shoulder.
Before Francine even has a chance to say anything, and that means I spoke up pretty quickly, I asked, “Who was that guy?”
Whoa. Clearly I was buzzing off the two sips of champagne I had drunk… that, and the buzz I was feeling from the look Max may or may not have been throwing in my direction.
Francine didn’t want to spare the second to compute that I had perhaps spoken out of turn. “He’s not important, never mind him, Anya.”
Then, she got even more cult-leader like.
“What is important is Chester, and the manuscript completion we are celebrating. He arrived today with the last pages — the ending we’ve been waiting so long for. It’s all been reviewed and the pages have been marked-up, including on the stunning new pages that close the novel. The edits just need to be implemented.”
Francine then lets out a sigh of accomplishment, and pauses for effect, before carrying on: “Now I’ve got to go out to dinner with Chester. What I need you to do is go through the marked-up manuscript and the notes, implement all the changes and fixes, and lock down a final draft. Pay special attention to everything, but especially the end. These are the newest pages and they’ve had very few eyes on them — Just Chester’s and mine.”
She was looking at me, and pointing at the manuscript, which was drenched in so much red pen it looked like someone had left it in a room full of school children armed with nothing but red crayons. Clearly, she wanted to see my reaction.
“This has to be done… before the start of the work day tomorrow,” she says sternly.
“By tomorrow morning…?”
“That’s not a question, right, Anya? That’s your affirmation to me that you understand how critically important this is, and how you will have it done by tomorrow morning.”
She didn’t wait for an answer. She got up, put on her jacket, and opened her office door.
“I know you’re going to have to stay here pretty late to get this done,” she said, in a softer voice than usual. For a moment, it seemed like she was about to show some concern, or possibly, some gratitude, but the next thing I knew, she had raised up her arm and she was pointing a finger in the direction of my chest but seemingly aimed at my very soul.
“Under no circumstances should you remove the manuscript from this office — not even a page or two while you go to get a cup of coffee. And no one — I mean NO ONE — is allowed to step foot in here.”
And with that, she turned and left to go out to her fabulous dinner with the fabulous author in a fabulous restaurant in a fabulous part of the city.
Of course I’m stuck at the office with a pile of work that is sure to keep me here all night. I know what you might be thinking. How horrible! An all-nighter in a deserted, darkened office tower, the creepy clinking and clanking of air vents and cheap metal file cabinets settling deeper into the industrial carpet. But for me, this wasn’t unusual at all. Not because I was always being left to do all the work while everyone else goes out for the fancy dinners, or at least some slices and a few after-work drinks.
Staying not just late, but through the entire night, is absolutely normal for me, because I’ve been sleeping at the office since this internship began.a Rafflecopter giveaway https://widget-prime.rafflecopter.com/launch.js
At the age of 26, Jeffrey Yamaguchi quit his job, threw himself a retirement party, and believed that he could make a living publishing zines. It didn’t work out, but he continues to dream the dream. Jeffrey’s books include 52 Projects, Working for the Man, Anya Chases Down the End, and Body of Water. His stories, poems, photography, and short films have been published in many literary journals, including Okay Donkey, Kissing Dynamite, Back Patio Press, X-R-A-Y Literary Magazine, Honey & Lime, Spork Press, Vamp Cat Magazine, Nightingale & Sparrow, Black Bough Poetry, and the Atticus Review.
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